The CL-80Bi covers the two things most lights make you choose between: a proper bi-colour range from 3200K to 5600K for matching practicals and daylight, and a full 360° RGB wheel for when the shot wants colour rather than correction.
CRI 97 is the number that matters for anything with a face in it. Below about 90, skin turns sallow or green and no amount of grading fully brings it back; at 97 the colour is right on the card.
It puts out up to 18,000 lux at a metre and dims smoothly from 0 to 100% by knob or remote, so you can set exposure without moving the stand. Light enough to hold, which makes it as useful on location as in a studio.
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