At 200W and up to 26,000 lumens this is a key light rather than a fill. It covers 2700K to 6500K for bi-colour work and the full RGB range when a scene wants a colour rather than a correction.
The 30dB noise figure is worth paying attention to if you record sound in the same room. A loud fan sits under every take and cannot be removed cleanly afterwards; at 30dB the light effectively disappears from the recording.
CRI 96 or better keeps skin honest, and dimming runs smoothly from 0 to 100% by knob or 2.4G remote, so you can trim exposure from behind the camera instead of walking to the stand.













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