A tube light gives you a long, narrow source rather than a point, which is why it shows up in so much video work: it makes a soft line of light down a face or along a product, and it reads as a practical when it appears in the frame itself.
The RGB modes cover background colour and accent work, and the output stays even along the length rather than falling off at the ends.
It is light enough to tape, clamp or hand-hold, which is usually how tube lights get used once people have one.













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